Today we turn our attention to drummer and band leader Art Blakey. Recorded in 1959, not released on vinyl until 1979, and on CD for the first time in 1998, one wonders the reasons why it was summarily delayed. tk.26 United (1) BST 84347, (1) Walter Davis, Jr. replaces Timmons on piano. BST 84055 MEET YOU AT THE JAZZ CORNER By the time Wayne Shorter joined that fall, Timmons had left for Cannonball Adderley’s band and Walter Davis, Jr. was his replacement. Credits. Find thousands jazz reviews at All About Jazz! Marsalis became the most visible symbol of the '80s jazz mainstream; through him, Blakey's conservative ideals came to dominate the public's perception of the music. Han ledde jazzgruppen The Jazz Messengers. tk.15 Ping Pong (J) GXF 3060
Art Blakey Big Band (also called Art Blakey's Big Band and Art Blakey and his Drivin' Big Band) is an album by drummer Art Blakey recorded in late 1957 and originally released on the Bethlehem label. Blue Note has announced a new Art Blakey set scheduled for release on November 5: a live 1961 recording in Tokyo. For 35 years (1955-90), the Jazz Messengers featured brilliant young talent who were pushed by Blakey to write new music and play at their very best. tk.11 These Are The Things I Love BST 84055 Moanin' (1959) Despite this toe-dipping into the pastels of cool jazz, vivid and vibrant colours were never too far from Art Blakey's palette. 4.7 out of 5 stars. When Golson left in 1959, Hank Mobley rejoined the band for a few months. In 1942, he played with pianist Mary Lou Williams in New York. Special editions of the Jazz Messengers, whether all-star alumni groupings or studio-only . Here, Blakey combines his rhythm with tenor saxophonist Wayne Shorter's brilliant composing to make what could only be termed a "structurally raw" album. tk.25 Uptight (J) GXF 3060, (1) unaccompanied drum solo. When Eckstine's group disbanded, Blakey started a rehearsal ensemble called the Seventeen Messengers. Throughout his career, Blakey allowed dozens of young jazz musicians to sharpen their skills before venturing out on generally successful solo careers. They recorded one gem after another for the Blue Note label, were in great demand for appearances both in the U.S. and Europe, and their personnel, while changing 100%, was at a very high level. The band does a fine job on “Close Your Eyes,” Monk’s “Justice” and Randy Weston’s “Hi-Fly.” However the tenor’s 1959 stint with Blakey was short and is now almost forgotten, due to his replacement by Wayne Shorter, who Blakey lured away from Maynard Ferguson’s orchestra. Blakey led or co-led the group from the outset. On December 17, 1947, Art Blakey led a group known as "Art Blakey's Messengers" in his fi rst recording session as a leader, for Blue Note Records. tk.14 Those Who Sit And Wait BST 84258 Drummer and bandleader Art Blakey provides the aggressive, driving pulse that propels the Jazz Messengers and is so characteristic of the hard bop style. tk.28 Pisces (J) GXF 3060 The best Jazz Messengers recording during Mobley’s second period with Blakey is the two-CD set At The Jazz Corner Of The World. Art Blakey's Jazz Messengers all but defined hard bop. Hard-bop's blues and gospel characteristics are prevalent on this most famous Art Blakey and the Jazz Messengers album.The title track of this Blue Note classic is by pianist Bobby Timmons and sums up the genre perfectly. Listen Now with Amazon Music. By Scott Yanow The 1959-64 period was an artistically prosperous time for Art Blakey and the Jazz Messengers. All of the alternate takes included were takes that were noted in Alfred Lion’s original session logs as being someone’s alternate choice, be it him, Ike Quebec, Blakey or the tune’s composer. He switched to drums shortly thereafter, learning to play in the hard-swinging style of Chick Webb and Sid Catlett.
BST 84029 THE BIG BEAT MEET YOU AT THE JAZZ CORNER Life with Art Blakey and the Jazz Messengers, while full of lessons, was absolutely not all seriousness and deep contemplation. Blakey was one of the most powerful and . Every Art Blakey recording from this era (and to an extent for the 25 years after that) can be considered essential with a few being more significant than the others. Art Blakey and the Jazz Messengers, "A Night in Tunisia" Blue Note has shared a soaring live version of "A Night in Tunisia" by Art Blakey and the Jazz Messengers from the forthcoming and previously unissued First Flight to Tokyo: The Lost 1961 Recordings, due out December 10. Art Blakey was a jazz drummer and band leader. The Messengers with Davis also travelled to France at year's end, where they recorded several times, including once in the company of Bud Powell. Posted 15 September. The Jazz Harbingers is a Melbourne-based hardbop band inspired by Art Blakey and the Jazz Messengers.
Here, Blakey combines his rhythm with tenor saxophonist Wayne Shorter's brilliant composing to make what could only be termed a "structurally raw" album. Amazon Music Unlimited. Blakey had come up in jazz at a fascinating time. tk.1 It’s Only A Paper Moon (alt) B2-46400 Art Blakey pased away nearly 30 years, but his old Jazz Messengers are still busy, perhaps none more so than drummer and Pleasantville, NJ native Ralph Peterson. The album also gave the Jazz Messengers a hit with Bobby Timmons' 'Dat Dere' and their version of 'It's Only A Paper Moon' is hard bop at its most . _______________________________________________________________________, (H) same personnel, live at Birdland. tk.12 “Round About Midnight BST 84054, fifth set: Stream songs including "Minor Thesis (Live)", "Wheel Within a Wheel (Live)" and more. John Ramsay is a drummer, recording artist, author, educator and a famous clinician ; John is featured with the Art Blakey and The Jazz Messengers Big Band so he knows perfectly the great Art's drumming ; In addition to these recordings, John has been heavily involved in teaching at The Berklee College of Music in Boston where he has taught for the past twelve years. Just to name a few highpoints: a memorable arrangement on “It’s Only A Paper Moon,” the original version of Bobby Timmons’ soul jazz hit “Dat Dere,” the first released version of “Lester Left Town,” “Like Someone In Love,” outstanding playing by Morgan and Blakey on “A Night In Tunisia,” Shorter’s “Ping Pong,” and Blakey’s unaccompanied drum solo on ‘The Freedom Rider.”. In the '60s, '70s, and '80s, when artists on the cutting edge were attempting to transform the music, Blakey continued to play in more or less the same bag he had since the '40s, when his cohorts included the likes of Charlie Parker, Miles Davis, and Fats Navarro. Valery Ponomarev was 30 when he defected from Soviet Russia for the United States in 1973. As it turned out, many listeners who had come to love jazz as a sophisticated manifestation of popular music were unable to accept the extreme esotericism of the avant-garde; their tastes were rooted in the core elements of "swing" and "blues," characteristics found in abundance in the music of the Jazz Messengers, the quintessential hard bop ensemble led by drummer Art Blakey. For 35 years (1955-90), the Jazz Messengers featured brilliant young talent who were pushed by Blakey to write new music and play at their very best. 1. tk.13 El Toro BST 84156 The name Jazz Messengers had been used by Art . Tracklist : 1. The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. See more ideas about art blakey, jazz, jazz musicians. A Historic Jazz Milestone "We have something special down here at Birdland this evening," Pee Wee Marquette announces as he introduces the Art Blakey Quintet on Volume 1 of A Night at Birdland. Because the live albums were pieced together with surrounding announcements and appropriate applause, it would damage the flow and the elements of this set if the original album sides were taken apart for the sake of chronology. Please Login to save it. July 26, 2021 The first onstage school of jazz ultimately opened for long-term session with drummer Art Blakey who enlisted young players to his revolving-door group, the Jazz Messengers, not only to teach but also to continually refresh himself and his band with new energy, excitement and especially repertoire. A relentless road warrior, he toured extensively through the '70s and '80s. Umbria Jazz 1976Bass - Cameron BrownDrums - Art BlakeyPiano - Mickey TuckerSaxophone - David SchnitterTrumpet - Bill Hardman Art Blakey was one of the greatest of all jazz drummers, a masterful talent scout and the inspiring leader of the Jazz Messengers. The 1960 edition of the Jazz Messengers was one of Blakey’s finest. tk.23 Joelle BST 84258
(A) Wayne Shorter (ts), Lee Morgan (tp), Bobby Timmons (p), Jymie Merritt (b), Art Blakey (d). _______________________________________________________________________. When Eckstine's group disbanded, Blakey started a rehearsal ensemble called the Seventeen Messengers. "Art Blakey" and "Jazz Messengers" became synonymous over the years. Moanin ' (originally titled Art Blakey and the Jazz Messengers) is a jazz album by Art Blakey and the Jazz Messengers recorded in 1958 for the Blue Note label and released in 1959. BST 84049 A NIGHT IN TUNISIA A very original soloist and composer, Shorter was be a major asset to the Jazz Messengers for the next five years. Eckstine's big band was the famous "cradle of modern jazz," and included (at different times) such major figures of the forthcoming bebop revolution as Dizzy Gillespie, Miles Davis, and Charlie Parker. The Jazz Messengers had always been an incubator for young talent. From that point, The Messengers were Blakey's primary vehicle, though he would continue to freelance in various contexts. In 1955, they formed a group with Hank Mobley and Kenny Dorham, calling themselves "Horace Silver and the Jazz Messengers." Arthur "Art" Blakey, född 11 oktober 1919 i Pittsburgh, Pennsylvania, död 16 oktober 1990 i New York i New York, var en amerikansk jazz trumslagare. Blakey eventually went to New York with bebop pianist Mary Lou Williams in 1942 and shortly thereafter joined the Fletcher Henderson big band. Description. This Bethlehem date was a one-shot affair, an opportunity for his powerful drumming to be heard propelling a 15-piece orchestra through a set of mostly new material. " Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a . Blakey, the “old man” of the band at 30, is joined by bassist Jymie Merritt and three brilliant stylists who were not only exciting soloists but very skilled songwriters: trumpeter Lee Morgan, tenor-saxophonist Wayne Shorter and pianist Bobby Timmons. In the mid-'90s, and again in the 2000s, this album was repackaged and . tk.7 What Know BST 84054 Drummer Art Blakey was the leader or co-leader of the group throughout its existence. The highest quality gatefold cover features original session photography on the inside. tk.5 The Theme BST 84055, third set: tk.11 Sincerely Diana BST 84049 To the extent that he exhibited little conceptual development over the course of his long career, either as a player or as a bandleader, Blakey was limited. This is hard bop at its finest from one of the most immortal jazz groups of all time. From there, he briefly led a Boston-based big band before joining Billy Eckstine's new group, with which he would remain from 1944-1947. tk.22 Politely BST 84029 Playing a driving, aggressive extension of bop with pronounced blues roots, the group continued until Blakey 's death in 1990. Art Blakey was a jazz drummer and band leader. As it turned out, many listeners who had come to love jazz as a sophisticated manifestation of popular music were unable to accept the extreme esotericism of the avant-garde; their tastes were rooted in the core elements of "swing" and "blues," characteristics found in abundance in the music of the Jazz Messengers, the quintessential hard bop ensemble led by drummer Art Blakey. Hank Mobley returned and took his place by early 1959, appearing on the recently issued Just Coolin’ (Blue Note). Album. tk.9 Sleeping Dancer Sleep On (alt) B2-84245 In the early '50s, Blakey began an association with Horace Silver, a particularly likeminded pianist with whom he recorded several times. March 20, 2020 On July 17, Blue Note Records will release Just Coolin', a never-before-released studio album by Art Blakey & The Jazz Messengers that was recorded on March 8, 1959 in Rudy Van Gelder's living room studio in Hackensack, New Jersey. The Complete Blue Note Recordings Of Art Blakey’s 1960 Jazz Messengers, Art Blakey’s 1960 Jazz Messengers Night In Tunisia, Lennie Tristano Personal Recordings 1946 - 1970 (6 CDs), The Complete Joe Henderson Blue Note Studio Sessions (5 CDs), Paul Desmond - The Complete 1975 Toronto Recordings (7 CDs), The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66 (7 CDs), Art Blakey & Jazz Messengers A Night At Birdland, Best Jazz Albums: 1950s Modern Classic Jazz.
Art Blakey And His Jazz Messengers 'Chippin' In' - Vinyl ... Though self-taught, Blakey was already leading his own dance band by age 14. Art Blakey & the Jazz Messengers - Moanin' - YouTube From March 1960 to May 1961, Art Blakey’s Jazz Messengers recorded no less than nine albums for the Blue Note label. Art Blakey - The Jazz Messengers _____________________________________________________________________, (G) same personnel. The Finest. Perhaps the best known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. Although all of the sessions in this collection were recorded by the extraordinary Rudy Van Gelder, there are sonic problems on two sessions. tk.3 The Summit BST 84055 recorded at the Van Gelder Studio in Englewood Cliffs, New Jersey, unless otherwise noted. Art Blakey | 10 Of The Jazz Drummer's Best Albums I Didn't Know What Time it Was- Arr- Wayne Shorter3. The 1959-64 period was an artistically prosperous time for Art Blakey and the Jazz Messengers. He toured the South with Fletcher Henderson's band in 1943-1944. Listen to Art Blakey & The Jazz Messengers Big Band: Live At Montreux and North Sea by Art Blakey & The Jazz Messengers on Apple Music. tk.10 Sleeping Dancer Sleep On BST 84245 At the time of his death in 1990, the Messenger aesthetic dominated jazz, and Blakey himself had arguably become the most influential jazz musician of the past 20 years. Blakey led or co-led the group from the outset. The Big Beat (The Rudy Van Gelder Edition) "Please retry". One certainly could not coast with Blakey’s explosive drumming constantly egging on the players. 46 ratings. [4] Blakey led or co-led the group from the outset. Blakey differed from other bop drummers in that his style was almost wholly about the music's physical attributes. It includes three Hard Bop tracks that are immortal and will always make your toes tapping and your fingers snapping. He was an influential pioneer of hard-bop, not only by performing on numerous records but most notably by co-founding The Jazz Messengers in 1954. "The Big Beat" is yet another solid hard bop release on the Blue Note label from Art Blakey's Jazz Messengers.
In 1960, Timmons came home and all the elements came together for this extraordinary blend of distinctive soloists/composers. Along with Kenny Clarke and Max Roach, the inventor of the bebopstyle of drumming. It produces limited-edition box sets that are available only by mail. tk.17 Sakeena’s Vision BST 84029 Peterson, much like his legendary mentor, has shown a knack for getting the most out of . No drummer ever drove a band harder; none could generate more sheer momentum in the course of a tune; and probably no drummer had a lower boiling point -- Blakey started every performance full-bore and went from there. He was no visionary by any means. Stream songs including "Minor Thesis (Live)", "Wheel Within a Wheel (Live)" and more. Art Blakey's Moanin' is a must for any jazz freak's collection! _______________________________________________________________________, tk.6 The Witch Doctor (alt) previously unissued For their 1961 self-titled album, see Art Blakey!!!!! Blakey stories are legion, a few of which Golson happily shared, often in the master's gravelly voice. The drums were recorded very ‘hot’ on the March 14, 1961 session and sound at times on the threshold of distortion. Blakey's influence as a bandleader could not have been nearly so great had he not been such a skilled instrumentalist.
tk.18 Roots And Herbs (1) BST 84347 Hide other formats and editions. Art Blakey & The Jazz Messengers: First Flight to Tokyo: The Lost 1961 Recordings album review by Chris May, published on October 24, 2021. tk.27 Blue Ching (J) GXF 3060 At the time of his death in 1990, the Messenger aesthetic dominated jazz, and Blakey himself had arguably become the most influential jazz musician of the past 20 years. Perhaps the best known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. May 1996-July 6, 2008. Now over 40 years old, The Big Beat is as thunderous as ever.
In 1942, he played with pianist Mary Lou Williams in New York. He was known as Abdullah Ibn Buhaina after he became a Muslim.. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine.He worked with bebop musicians Thelonious Monk, Charlie Parker and Dizzy Gillespie.In the mid-1950s Horace Silver and Blakey formed . Art Blakey (October 11, 1919 - October 16, 1990) was an American jazz drummer and bandleader. After a trip to Africa in 1948, where he converted to Islam (and took the name Abdullah Ibn Buhaina), Blakey put together a short-lived big band called The Seventeen . tk.10 Ping Pong BST 84347 The Messengers typified the growing hard bop movement -- hard, funky, and bluesy, the band emphasized the music's primal rhythmic and harmonic essence. It will be released in both LP and CD formats. A list of the band's alumni is a who's who of straight-ahead jazz from the '50s on -- Lee Morgan, Wayne Shorter, Freddie Hubbard, Johnny Griffin, Jackie McLean, Donald Byrd, Bobby Timmons, Cedar Walton, Benny Golson, Joanne Brackeen, Billy Harper, Valery Ponomarev, Bill Pierce, Branford Marsalis, James Williams, Keith Jarrett, and Chuck Mangione, to name several of the most well-known. In 1955, they formed a group with Hank Mobley and Kenny Dorham, calling themselves "Horace Silver and the Jazz Messengers." The Messengers typified the growing hard bop movement -- hard, funky, and bluesy, the band emphasized the music's primal rhythmic and harmonic essence. The who’s who of jazz passed through Blakey’s band for several generations, with everyone from Freddie Hubbard and Wynton Marsalis to Benny Golson and Horace Silver benefiting from the hard-swinging experience. BST 84054. Featured peformers: Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass), Art Blakey (drums), Alfred . – Music Matters, “Perhaps the best known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. The Messengers typified the growing hard bop movement -- hard, funky, and bluesy, the band emphasized the music's primal rhythmic and harmonic essence. tk.34 Giantis BST 84245 Unfortunately that album went unissued until 1981 but that was due to the large number of Blakey recordings at the time rather than any problems with the quality. Blakey also frequently recorded as a sideman under the leadership of ex-Messengers. Genres: Hard Bop. All selections were. BST 84245 LIKE SOMEONE IN LOVE tk.7 Dat Dere BST 84029 By. Four years later the trumpeter was a core member of Art Blakey's Jazz Messengers, touring and contributing to several recordings before bowing out to go the solo route, his place taken by a young Wynton Marsalis.
The diminutive, frequently hyperbolic and notorious emcee did not know how special, for the music that Blakey's band made and the recordings on which it was captured were historic for a variety of . OF THE WORLD vol. Listen Now with Amazon Music. 2020. By the '80s, the evolving mainstream consensus had reached a point of overwhelming approval in regard to hard bop: this is what jazz is, and Art Blakey -- as its longest-lived and most eloquent exponent -- was its master. Art Blakey was one of the greatest of all jazz drummers, a masterful talent scout and the inspiring leader of the Jazz Messengers. December 2, 2019. Artist. tk.4 High Modes BST 84055 Blakey's first musical education came in the form of piano lessons; he was playing professionally as a seventh grader, leading his own commercial band. "Art Blakey" and "Jazz Messengers" became synonymous over the years. Released in January 1959 on Blue Note (catalog no. tk.10 The Chess Players BST 84029 Here, Blakey combines his rhythm with tenor saxophonist Wayne Shorter's brilliant composing to make what could only be termed a "structurally raw" album. Shorter succeeded Benny Golson in the classic Moanin' quintet that also featured Lee Morgan, Bobby Timmons and Jymie Merritt and his harder edged, Trane influenced tone and burgeoning harmonically daring approach to the tenor gave the group a more fiery and modern temperament. The Big Beat introduces Timmons’ “Dat Dere” (which practically defines soul jazz) and Shorter’s “Lester Left Town” (a tribute to Lester Young) and includes an inventive version of “It’s Only A Paper Moon” along with a few other lesser-known but colorful pieces. (1-698 of 698) Year. tk.19 Blue Lace BST 84156 Blakey differed from other bop drummers in that his style was almost wholly about the music's physical attributes. He toured the South with Fletcher Henderson's band in 1943-1944. Archetypal hard-bop group of the late 1950s, most date their origin to 1954 or '55 when the first recordings credited to the band appeared.
ART BLAKEY & THE JAZZ MESSENGERS - FIRST FLIGHT TO TOKYO: THE LOST 1961 RECORDINGS. Song Of The Day: Art Blakey And The Jazz Messengers 'Moanin". In the '80s, precocious graduates of Blakey's School for Swing would continue to number among jazz's movers and shakers, foremost among them being trumpeter Wynton Marsalis. From there, he briefly led a Boston-based big band before joining Billy Eckstine's new group, with which he would remain from 1944-1947. May 1996-July 6, 2008.
May 27, 1961 ; previously unissued, tk.2 The Back Sliders (alt) BST 84347 Dates refer to first documented existence of particular band, usually at a recording session, but occasionally at a performing engagement. Where his contemporary Max Roach dealt extensively with the drummer's relationship to melody and timbre, for example, Blakey showed little interest in such matters. A list of the band's alumni is a who's who of straight-ahead jazz from the '50s on -- Lee Morgan, Wayne Shorter, Freddie Hubbard, Johnny Griffin, Jackie McLean, Donald Byrd, Bobby Timmons, Cedar Walton, Benny Golson, Joanne Brackeen, Billy Harper, Valery Ponomarev, Bill Pierce, Branford Marsalis, James Williams, Keith Jarrett, and Chuck Mangione, to name several of the most well-known. For their 1957 self-titled album, see Art Blakey's Jazz Messengers with Thelonious Monk. Art Blakey & The Jazz Messengers | Discografía | Discogs ART BLAKEY & THE JAZZ MESSENGERS "MOANIN'" The first onstage school of jazz ultimately opened for long-term session with drummer Art Blakey who enlisted young players to his revolving-door group, the Jazz Messengers, not only to teach but also to continually refresh himself and his band with new energy, excitement and especially repertoire. In the '60s, '70s, and '80s, when artists on the cutting edge were attempting to transform the music, Blakey continued to play in more or less the same bag ... Blakey's drum set was the engine that propelled the music. The orchestra proved to be financially unstable and broke up soon after. The drummer and band leader Art Blakey, one of the most influential figures in jazz for the last 40 years, died yesterday at St. Vincent's Hospital and Medical Center. Read Full Biography. On December 17, 1947, Art Blakey led a group known as "Art Blakey's Messengers" in his first recording session as a leader, for Blue Note Records. tk.9 The Breeze And I BST 84054 Around the same time - in 1947 or 1949 - Blakey led a big band called "Seventeen Messengers". Never-before-released Art Blakey & the Jazz Messengers ... Hide other formats and editions. His first studio recording with the band, Africaine, found him introducing “Lester Left Town” (a tribute to Lester Young) and contributing five of the six songs. Archetypal hard-bop group of the late 1950s, most date their origin to 1954 or '55 when the first recordings credited to the band appeared. A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey.
Blakey's first musical education came in the form of piano lessons; he was playing professionally as a seventh grader, leading his own commercial band. The Jazz Messengers were an influential jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, [1] [2] [3] and ending when long-time leader and founding drummer Art Blakey died in 1990. [2] "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger . Highly recommended! Listen to Art Blakey & The Jazz Messengers Big Band: Live At Montreux and North Sea by Art Blakey & The Jazz Messengers on Apple Music. They have been corrected as much as possible, but are still aurally present. Everything came together during 1960-61 for the Jazz Messengers, making that one of the best periods in the group’s history. Strangely enough Timmons and Morgan did not contribute any songs to this spirited live outing although Mobley brought in three songs.
Art Blakey's Jazz Messengers not only supplied consistently exciting and innovative music for nearly 40 years, but also provided the experience and mentoring for young musicians to learn their trade. Powered by Art Blakey's compulsive, polyrhythmic drumming which transformed jazz drumming in the 50s and 60s, a succession of brilliant players who would do so much to shape jazz in the coming decades took their place at the forefront of his music - Horace Silver, Donald Byrd, Jackie . 2 tk.29 Lost And Found BST 84258 The Morgan-Shorter-Timmons-Merritt-Blakey quintet is featured on The Big Beat, A Night In Tunisia, Meet You At The Jazz Corner Of The World Vols. . But Blakey did one thing exceedingly well, and he did it with genius, spirit, and generosity until the very end of his life. A year later, Silver left the band, and Blakey became its leader. Under the authority of diminutive drum-clobberer Blakey, many of the genre's most influential young hotshots — pianist Horace Silver, saxophonists Hank Mobley, Wayne Shorter, and Jackie McLean, trumpeters Lee Morgan, Kenny Dorham . Art Blakey Chronology (and the Jazz Messengers) by Steve Schwartz and Michael Fitzgerald. Released in 1960, this time around the band features Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. Here are five of the . Notable was A Jazz Message, a 1963 Impulse record date with McCoy Tyner, Sonny Stitt, and Art Davis; a 1971-1972 world tour with "the Giants of Jazz," an all-star venture with Thelonious Monk, Dizzy Gillespie, Sonny Stitt, and Al McKibbon; and an epochal drum battle with Max Roach, Elvin Jones, and Buddy Rich at the 1964 Newport Jazz Festival.